For more guidance, see Wikipedia:Translation.You should also add the template to the talk page.A model attribution edit summary is Content in this edit is translated from the existing Portuguese Wikipedia article at ] see its history for attribution. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation.If possible, verify the text with references provided in the foreign-language article. Do not translate text that appears unreliable or low-quality.Consider adding a topic to this template: there are already 1,368 articles in the main category, and specifying |topic= will aid in categorization.Machine translation like DeepL or Google Translate is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.View a machine-translated version of the Portuguese article.Yet none of those elements were enough to make this one worth watching.
I AM GANGSTER 1080 TORRENT MOVIE
If it wasn't for terrific music selection, an oddly strange character effect by Guttenberg, and one worthy scene in the church between Castor and Isabele's hitman father, the movie would have been utter trash. Too many aspects of this movie were literally farcical, and the implausible plotting was annoying. In other words, just as Isabele is readying for a new life chapter with her new nobly savior, err, ironically Castor becomes the same victim he's perpetrated on others. Castor is then shot dead by a man early in the movie he wronged. WHAT?Īt the end, after Castor has evolved into a husband-worthy suit-wearing prince who somehow amazingly shed his inner rage, shame, dysfunction, antisocial and other pathic behaviors from his all-encompassing life experiences without any aftereffects, a sudden yet predictable twist emerges. yet after guns are ablaze for seemingly hours, Castor easily squirred away with no retribution to follow.
The showdown pitted 30 of Jean-Baptiste's henchmen pointing automatics and other artillary at Castor and Isabele's hitman father. Then there was the grand-finale shootout.
Likewise, as Steve Guttenberg (Jean-Baptiste Philippe) gives his best impression of an oddly crime kingpin ruling London who's as gentle & thoughtful as he is weird (an implausible mix on its own), he's eventually shot dead and replaced by a weak moron who's ostensibly running the baddest mix of thugs in the land. Meanwhile, after the gangster abuses his wife (Isabele) physically and emotionally to the point she finally shoots him dead, it's revealed her father is a former cold-blooded hitman who stops at nothing to protect his daughter. Castor's reaction? He's joyous with feelings of warmth and gratitude. Then after never having a human connection in life, never mind empathy or any outlets for his rage, he eventually meets the gangster who gave him life back in his youth. After being spared, he grows up homeless on the streets of London and becomes an animal. The story starts out with a young boy (Castor) seeing his parents shot dead.